armoredsuperheavy: Hamilton, Gavin (atribuido a) - Portrait of John Henderson of Fordell, c 1777. Museo de la Real Academia de Bellas Artes (Default)
In the US, we've seen ever more radical ideas take hold at ever accelerating rates through the last decade. Really you could see the roots of this far back in the history of the net, but when social media platforms began using algorithms to optimize what you see, who you hear from, the most popular post, that's when it really started to happen.

After the 2016 election, if you were as loudly upset about Trump's victory as most of us were, you were probably finally unfollowed by everybody you know who disagreed or decided to vote for him. At that point, you can pretty much conclude that there's nobody seeing your posts who doesn't broadly agree with you on politics.

We've been progressively more divided in our society because social media breeds this environment where "If you don't agree exactly with what I am saying or have questions about it, you are completely wrong and a horrible moral failure of a human being"  I've really seen this mindset taking hold in fandom because that's where I hang out, but it's not just fandom. It's everywhere.

Now with COVID-19, a lot of people have been stuck home for months doing their entire social interactions via social media platforms. All of these effects of socmed and its fucked up rules of engagement has snowballed and now it's an avalanche.

Every day there is a fresh outrage and situation that people feel compelled to instantly, aggressively comment on. All people need is a headline to go off. I'm not talking about any one incident in particular, either. This is just the normal pattern of social media interaction. See the trending post. Feel the righteous indignation. Click Retweet or reblog. Dogpile on. It feels good, like you're doing something to fight... whatever danger or injustice you have in mind. We've all done it.

But at the same time, it feels safe to do it. You're at home. You don't have to worry about getting arrested for this form of protest. You don't have to get in anyone's face. Nobody will deck you. You can say hurtful, harmful, libelous shit with what seems like virtually no repercussions. But the repercussions are society-wide when everyone conducts themselves like this. 

What are you really doing? You're not thinking critically. You're not looking to understand a situation in any depth before having your piece to say. You're probably engaging in mob vigilantism, and it may be based on absolutely nothing true. Who wrote your talking points? Whose narrative are you advancing? On social media, we are gerbils tapping the lever for another feel-good hit, over and over and over.

All drugs have side effects, even Soma.

Conspiracy theories are everywhere right now, and the idea that there are sinister motives lurking behind every person's actions has really taken hold.  

If you dislike the attitude of Bernie Sanders' followers,you're a right wing shill.

If you're willing to consider voting for Joe Biden, you secretly think rape is totally fine. 

For that matter, if you voted for Trump, you secretly think rape is fine.

If you voted for HIllary, though, you think torture is fine.

If you watch Edward Scissorhands, you're secretly totally fine with alcohol- and spousal abuse.
(p.s. is Depp still canceled? Uncanceled? Who knows - mob justice doesn't issue errata in the next issue of The Daily Outrage)

If you write a novel, you're secretly a child molester.

If you draw a pic of soldiers or cops fucking, you're secretly a fascist.

If you elect not to go into the street and face the national guard in a violent protest w/ major Covid risk, you secretly wish for the rise of a dictatorship.


Just... God Damn. Do people hear themselves?

I hope we snap the fuck out of it soon. The world is a scary place but the degree to which we have leveled suspicion against each other as individuals is at the breaking point. We are entirely too easy to steer by the wrong people. We're at their mercy as a society and the level of mistrust sown between individuals means it's virtually impossible to organize in any forward-thinking, constructive way, much less have honest and meaningful conversations with people we disagree with. We are truly divided and conquered in a way never seen before. Not just divided: we've been atomized.

At the rate we're going, we'll be manipulated into discrediting ourselves again and again through events like that are going on this weekend. The situation is fucked up, and no, I"m not going to go out there in the middle of the street to spit on cops in riot gear. Does this mean I secretly hate black people, support police brutality, and think there's nothing wrong with our criminal justice system?  Well you tell me, oh valiant paladin of the internet: What does socmed outrage conditioning make you conclude about me? What does a sanity check tell you?

armoredsuperheavy: Hamilton, Gavin (atribuido a) - Portrait of John Henderson of Fordell, c 1777. Museo de la Real Academia de Bellas Artes (Default)
I’m flattered by recent attention on Tumblr for my bookbinding posts, and I’m glad the practice of binding fic has resonated with folks!

I periodically get questions about being able to buy these books. I thought I’d address that publicly.

The Gift Economy of Fandom

The vast majority of my bookbinding projects (over 90 and counting so far) have been strictly volunteer - that is, I’ve read the fic, or been recommended it by a trusted friend, and chosen to bind it, based on my own arbitrary evaluations.

Binding means two copies. One goes to the author, as a gift. The other I keep in a slowly growing archive. They are not for sale at any price. Nobody is paid for their labor, and I am not running a business. I am spending out of my own pocket for every piece of paper, every tool, all shipping costs. I accept small tips from authors if they wish, but they are under no pressure to send me money, and a tip doesn’t come remotely close to the value of my labor hours. But why should they pay me? They wrote the entire goddamn book for free. 

I approach fandom in the old-school way, as a community-focused practice and a “gift economy” - something a lot of newer participants of fan culture are drifting away from as the incentive to monetize fan works grows. The reasons for it are understandable. But I think this shift in fundamental approach is going to cost us a lot, as a subculture and as a community, in the long run. 

Do we really just wanna be customers/consumers and “content producers” in fandom? Fuck that, I want an actual community. I’m not a content producer. I’m a person making connections to other people and slowly growing a modern day online queer found family.

Because I seek community in fandom, and see fanwork as contributions to the “potluck”, I see this as just bringing my dish to the party here. I brought a cake - and it seems popular. If anyone else brought another cake, we’d have MORE of it and nobody would complain. Two cakes, and so forth.

What I’m getting at is, these are not PRODUCTS for you to BUY. These are artifacts of a community and a demonstration of community activism.  In order to GET one, you must get involved. You must either write a brilliant longform fic that I’m into,OR you can become a Guerrilla publisher in your own right!

Commissions

I’m uncomfortable with taking commissions and have only done it I think three times. Every time, I had to be convinced to do it. And I spent every penny of it on supplies and shipping and whatnot.

There are two main reasons I’m not open for commissions:

1 It immediately shifts the calculus of whose work gets printed. People with spending money get to see their chosen work in print. People without, not so much.

2. I’m less able to self-direct which work gets printed. I like the power to choose what to bind. I say what gets printed at my house. No outside money is steering that decision. The decision is not driven by money whatsoever. 

Without the money, I don’t have to give a fuck about the optics of which book I chose. I don’t have to worry about follower count. I print a lot of work that got “canceled”, authors beset by purity police for being “problematic”, etc. If I were trying to run a profitable business, these works are the last ones I’d choose to print. And that’s exactly why I’m printing them here.

OK but I want a Book, Sell Me One

Well, don’t wave money in my face. I’m sorry, that’s not why I’m here. See above.

If you’d like to actually take up bookbinding similar to what I am doing, I can provide you with information to get started. There are no secrets about my process, just trial and error and a shit ton of work. Just drop me a line. 

I realize that not everybody has the resource of time, money, or patience to figure out how to make books like mine from scratch. But that doesn’t mean you’re completely out of options.

Preservation of fic doesn’t have to look like a completely bespoke handmade book with sewn signatures and hand marbled papers.

It also doesn’t have to be a professional-grade 200 page glossy hardcover kickstarted mega-project with 100 contributors.

I’d really like to see the practice of print zines come back. Print your fic in a booklet and sew it up with a piece of thread. Mail it to your fandom friends. Go guerrilla publisher yourself. And if you didn’t write it, don’t forget to give a copy to the author: it’s the only ethical way to make use of their work.

I don’t want to be the only bookbinder to ever touch a fanfic. I want lots of people binding. Two cakes - nay, a thousand cakes, and the feast of cake was legendary and not soon forgotten, and slices of the cake were passed down to our children and grandchildren, and the cake survives even after we are gone. Let’s get baking.



armoredsuperheavy: Hamilton, Gavin (atribuido a) - Portrait of John Henderson of Fordell, c 1777. Museo de la Real Academia de Bellas Artes (Default)
I bind fanfic and other underground writing into real books. I am a Guerrilla publisher.

Why are you doing this?
  • To make a demonstrative statement on the validity of “fic” in general (and fanfic within that specifically) as a newborn genre of literature that has really only come into its own in the last 15-20 years.
  • To disrupt preconceptions about what is valuable and worthy of being memorialized in print, much less published in a fine edition.
  • An act of anti-capitalist resistance. Participation in the traditional gift economy of fandom. Most of my projects are volunteer and gifts.
  • Preservation of fandom history and works for future generations. These books won't blip out of existence by politically-motivated, puritanical updates to a corporate terms of service. These books are acid-free, archive ready, made to survive for another century.
  • Demonstration against censorship of fiction. Most of the books contain subject matter some people may find objectionable on various grounds. I have begun to deliberately seek out works that authors and artists were persecuted online for creating.
  • In summary, it’s a big Fuck You to power structures that silence people. On a positive note, it encourages people to keep creating and I hope reassures them that their work has enduring value. It makes my friends so happy that they cry, so that’s nice too.

Stylistic Choices

My book design is deliberately conservative because I am challenging ideas of what should be inside the book. The more a book looks like something a “real” publishing house would put out, the stronger and more subversive the statement it makes.

I've settled onto a bit of an equilibrium point with regards to my setup, production speed, the amount of labor I put into each book. My goal is not to make the most exquisitely fine objet ever bound. My long-term goal is to capture and preserve in print a broad array of fic and outlaw writing. Therefore, I haven't leveled up my equipme
nt to "fine binding" levels, I economize as much as possible the decorative paper, and don't lavish hours on technical perfection. To me it is a race against time to bind as many works as I can. I am racing against repressive bans of adult content, the chilling force of contemporary purity policing, and my own mortality.

Future Plans

Starting out two years ago I'd set a goal of 100 works, and I'm now on project 90. I am on track to meet that goal by the end of the summer, but have no plans to stop.

In the future I would like to somehow propagate this practice to others, and create a movement of decentralized, anarchistic, hardcopy fic distribution. I believe in the community-building power of fandom as a gift economy, a bit of an oasis from capitalism, and want to perpetuate this practice as much as possible. It may not be possible for many people to get into full-blown bookbinding, but I would like to see old-school zines and other paper goods circulate more.

I have deep concerns about the future of these fragile online communities we continually build, only to lose. Every couple of years, a major purge event causes many people in fandom spaces to precipitously fall out of touch. One way I see to combat this is to "get real", and distribute physical things to your circle of friends.

If we are serious about being connected, if we would like to have each other as a modern-day "found family" in the queer tradition, rather than a bunch of randoms unified only by
commercially unsavory thirst-consumerism, then we have to do the work to stay connected in an environment where nobody but us gives a fuck about our community, and none of the monetized structures we exist within online are going to go out of their way to support or enable that.

We have to do it; it's up to us.

And that's why I'm a Guerrilla publisher.

(Pseudo x-post on Tumblr)

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armoredsuperheavy: Hamilton, Gavin (atribuido a) - Portrait of John Henderson of Fordell, c 1777. Museo de la Real Academia de Bellas Artes (Default)
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